AO Exclusive: What the Team Behind “Sweet Escape” Has to Say
As Sweet Escape continues to capture attention at the Sinag Maynila Film Festival 2026, the creative minds and stars behind the film are opening up about their experience bringing this heartfelt story to life. From first-time experiences to ambitious future plans, their insights add another layer of appreciation for the film.
For lead actor Kang Donggun, Sweet Escape marks a significant milestone. It is his very first film project in the Philippines. Reflecting on the experience, he shared how meaningful it was to see the finished product.
He expressed that after watching the film, he found it “really good,” especially with the strong support from the production team.
When asked about future roles, he showed a lighter side. While he is known for dramatic performances, he revealed an interest in exploring comedy. He said he would love to try comedy and jokingly added, “I can do everything.”
Writer and producer Shine Deauna-Ricafort shared one of the most surprising facts about the film. The entire shoot was completed in just NINE days!
This tight schedule speaks volumes about the team’s dedication, efficiency, and clear creative vision. Despite the limited time, the film manages to deliver an emotionally rich and visually compelling story.
Director Rommel Ricafort took a moment to express heartfelt gratitude to everyone who contributed to the film. He thanked the team and even friends who supported the project, acknowledging that Sweet Escape was truly a collective effort.
Beyond the festival, he also shared exciting plans for the film’s future. He hopes to bring Sweet Escape to wider audiences by showcasing it locally and internationally, particularly in Bohol, where the story is set, and in South Korea’s major cities such as Seoul and Busan.
These behind-the-scenes insights reveal what makes Sweet Escape special. As audiences continue to discover Sweet Escape, these voices remind us that every frame carries the spirit of the people who made it possible.
